{{Lyrics
| group         =[[凋叶棕|Diao ye zong]]
| group_en      =
| titlejp       =嘔吐、又。
| titlerom      =outo, mata.
| titleen       =I Vomit, Again.
| length        =05:43
| arranger      =RD-Sounds
| lyricist      =RD-Sounds
| vocalist      =nayuta
| other_staff   =
| source        =
*original title: {{lang|ja|リジッドパラダイス}}
*source: {{TD}}
| eng_only      =
| untranscribed =Y
| unromanized   =Y
| untranslated  =
| album1        ={{LyricAlbum|音 (omoi)|RDWL-0025.jpg}}
| lang          =
| kan1          =
意思のない身体を引き摺って
そのたびに、又。何かが崩れ落ちる
| kan2          =
与えられたその命令が尽きれば
そのたびに、又。ただの塵芥へと帰す
| kan3          =
それに意味など宿らない
己を誰と知ることさえ
| kan4          =
けして止まぬ渇きを遺して
微かな執着
それが故にその身体を突き動かすのか
| kan5          =
そうして、又。
なにも生み出さぬはずの器官
それが筈が　己の何かを繋ぎとめて
| kan6          =
不明確な命令の途切れる度、又。
その幾度となく
――――立ち尽くす。立ち尽くす。立ち尽くす。立ち尽くす。
| kan7          =
き…はれては…
か…　しん…　ゅうの…
はれて…　　…
　…　…
　　　　　　　　
　ただに…みえぬ…
お…きひ…むと…きや…
そこはしられむ…
| kan8          =
バラバラの信号の寄せ集め
そのすべて、又。何をも企図さえできずに
| kan9          =
それが知何して何かを求めるよう
そのすべて、又。ある種の指向性
| kan10         =
無秩序に重ねる言葉
けして戻りはしない記憶
| kan11         =
最後のその一息までとて
それは永遠に
喪われた何かを取り戻そうとして
| kan12         =
そうして、又。
けして埋まならない欠落を
埋めんが為　それに適うべき手段なら
| kan13         =
不明瞭な兆候の感じる度、又。
その幾度となく
――――喰らい尽す。喰らい尽す。喰らい尽す。喰らい尽す。
| kan14         =
　まえは　だれ　　　しは　　　　　　を…かえ　…わ　しを…
| kan15         =
そうして、又。
意志なき哀れ自動死体
繰り返すは　己に耐え切れぬ暴食を
| kan16         =
不完全な体流の過ぎなる度、又。
その幾度となく
嘔吐き尽す。嘔吐き尽す。嘔吐き尽す。嘔吐き尽す。

| rom1          =
ishi no nai karada o hikizutte
sono tabi ni, mata. nani ka ga kuzure ochiru
| rom2          =
ataerareta sono koodo ga tsukireba
sono tabi ni, mata. tada no chiriakuta e to kisu
| rom3          =
sore ni imi nado yadoranai
onore to dare o shiru koto sae
| rom4          =
keshite yamanu kawaki o nokoshite
kasukana shuuchaku
sore ga yue ni sono karada o tsuki ugokasu no ka
| rom5          =
soushite, mata.
nani mo umidasanu hazu no mono
sore ga hazu ga onore no nanika o tsunagi tomete
| rom6          =
fumeikakuna koto no togireru tabi, mata.
sono ikudo to naku
――――tachitsukusu. tachitsukusu. tachitsukusu. tachitsukusu.
| rom7          =
ki…harete wa
ka..zeshin…ryuu no
harete…kushi
ke..zu…
naga…reidzuru…
katada ni…mienu…
o..kihi…mu to…ki ya…
soko wa shiraremu…
| rom8          =
barabara no shigunaru no yose atsume
sono subete, mata. nani o mo kito sae dekizu ni
| rom9          =
sore ga toshite nanika o motomeru you
sono subete, mata. aru shu no shikousei
| rom10         =
muchitsujo ni kasaneru kotoba
keshite modori wa shinai kioku
| rom11         =
saigo no sono hitoiki made tote
sore wa eien ni
ushinawareta nanika o torimodosou to shite
| rom12         =
soushite, mata.
keshite umanaranai ketsuraku o
umenga tame sore ni kanaubeki shudan nara
| rom13         =
fumeiryouna sain no kanjiru tabi, mata.
sono ikudo to naku
――――kurai tsukusu. kurai tsukusu. kurai tsukusu. kurai tsukusu.
| rom14         =
omae wa dare watashi watashi wa dare watashi watashi o kae watashi o watashi o kae watashi o
| rom15         =
soushite, mata.
ishi naki aware ootomata
kurikaesu wa onore ni taekirenu boushoku o
| rom16         =
fukanzenna kurou no sugi naru tabi, mata.
sono ikudo to naku
hakimodosu. hakimodosu. hakimodosu. hakimodosu.

| eng1          =
I force my purposeless corpse along.
And each time, again. Something crumbles away.
| eng2          =
When the orders given to me come to an end,
Each time, again. I just become trash once more.
| eng3          =
No meaning rests within me.
I don’t even know who I am.
| eng4          =
A faint obsession remains, leaving me with
An unquenchable thirst.
Is that the reason why my corpse is stirred up?
| eng5          =
And, again.
My organs shouldn’t be able to produce anything.
Still, they fasten together something inside me…
| eng6          =
Each time there’s a pause in my unclear orders, again.
Time and time again,
—I stand still. I stand still. I stand still. I stand still.
| eng7          =
{{color|Indigo|The weather… clears…
And a breeze… blows among… the young willows… <ref name="one" />
…
…
It flows… forth…
Though nobody knows… from whence… it came…
When… it dries up…
The depths… will surely… be visible… <ref name="two" />}}
| eng8          =
It’s a mish-mash of disconnected signals
But all of them, again. Can’t even plan anything.
| eng9          =
Why do I seem to search for something?
It’s all, again. Just a type of orientation.
| eng10         =
Words accumulate chaotically.
My memories will never return.
| eng11         =
Even until my last breath,
I will search forever,
Seeking to take back something I lost.
| eng12         =
And, again.
If this is a way
For me to fill in that unfillable void…
| eng13         =
Each time I feel an obscure sign, again.
Time and time again,
—I devour. I devour. I devour. I devour.
| eng14         =
{{color|Indigo|Who… are you? Me. Who… am I? Me. I am…. I will… I am…}}
| eng15         =
Thus, again.
I am a pitiful automaton, without a will of my own.
My gluttony, which I cannot withstand, continues.
| eng16         =
Each time my imperfect flow goes too far, again.
Time and time again,
I vomit. I vomit. I vomit. I vomit.

| lyrics_source =[https://releska.wordpress.com/2017/08/20/i-vomit-again/ Translation] by [https://releska.wordpress.com/ Releska]
| notes         =
== Notes ==
{{Reflist|refs=
<ref name="one">This is an extract from one of Miyako no Yoshika’s poems. The quote is as follows:
{{lang|ja|気霽れては風新柳の}}
kiharete wa kaze shinryuu no
The full poem can be read [http://www.metmuseum.org/exhibitions/view?exhibitionId=%7b0FFD4537-CC07-4067-B93F-B53755F33FA8%7d&amp;oid=78467 here].</ref>
<ref name="two">This is another extract. The quote is as follows [{{lang|ja|涙川}} is omitted]:
{{lang|ja|流れいづる  方だに見えぬ}}  [{{lang|ja|涙川}}]  {{lang|ja|おきひむ時や  底は知られむ}}
nagare izuru katada ni mienu okihimu toki ya soko wa shiraremu</ref>
}}

''[https://kafkafuura.wordpress.com/2017/08/23/automata/ Alternate translation by Kafka Fuura]''

| extra_info    =[https://releska.wordpress.com/ Translator] Note: The Japanese title is pronounced ‘automata.’ I can only assume that that is intentional, so feel free to call this song ‘Automata’ instead.

Like usual, there are some {{H:title|Diao-ye-zongisms|discrepancies between the writen and sung lyrics}}, but preference is always given to what is sung, defaulting back to the written lyrics when the sung words are hard to decipher.

The parts in {{color|Indigo|purple text}} aren’t clearly written in the booklet, so some liberties have been taken.

}}