{{Nav|Retrospective 53 minutes|L1=Changeability of Strange Dream/Story|R1=Magical Astronomy/Story|L1l=Changeability of Strange Dream|R1l=Magical Astronomy}}
==Story==
<!-- Obi -->
{| border="1" cellpadding="5" style="border-collapse: collapse;" width="100%"
| width="50%" | {{lang|ja|'''卯酉の道、心の旅'''<br />'''－東海道の地下は日本で最も日本的だった。'''}}
| width="50%" | '''A journey of the mind along the Boyu Line.'''<br/>'''-The Tokaido Subway is the most Japanesque subway in Japan.'''
|}


{{MusicRoom/CD
|category=#01
|title   =ヒロシゲ36号 ～ Neo Super-Express
|titleEN =Hiroshige No.36 ~ Neo Super-Express
}}{{MusicRoom/Cmt
|ja=ヒロシゲは二人を乗せて東へ走る。音もなく、揺れもなく、ただひたすら東に走る。
|en=The Hiroshige{{ref|1}} runs eastward, carrying two girls. It runs eastward, without the slightest turbulence.
}}{{MusicRoom/Cmt
|ja=四人まで座れるボックス型の席には空きも多く見られ、二人で座っていたとしても相席を求められる事は無かった。朝の反対方向は芋洗いの様に通勤の人でごった返すが、東京行きは空いている。二人にとっては好都合だった。
|en=It had plenty of benches facing each other, accommodating up to four people. However, as they were all vacant, the two did not have any trouble finding an empty space. The morning outbound trains were extremely crowded with commuters, packed like sardines, yet the inbound for Tokyo trains were vacant, conveniently for them.
}}{{MusicRoom/Cmt
|ja=車窓から春の陽気が入ってくる。最新型のこの新幹線は全車両、半パノラマビューが一つの売りである。半パノラマビューとは上下を除いた全てが窓、つまり新幹線の壁は殆ど窓で、まるで大きなガラスの試験管が線路の上を走っている様な物だ。<br />進行方向と反対に座っている金髪の少女の左手には、見渡す限りの美しい青の海岸、右手には建物一つ無い美しい平原と松林が広がっていた。
|en=A pleasant spring sunshine came in from the windows. This newest model of Shinkansen features a half-panoramic view in all the cars. Each car is entirely window except the ceiling and floor, in other words, the walls of the Shinkansen are the windows. It almost looks as if it were a test tube running on the railway. <br />At the left of the blonde girl facing in the direction opposite the train's was an endless, beautiful blue coast; at the right was a breathtaking vista of plains dotted with pine trees without a building in sight.
}}{{MusicRoom/Cmt
|ja=出発から25分ほど経っただろうか、遠くに雲の傘を被った富士の山が見えた。<br />まるで仙人でも住んでいそうな厳かな姿をしている。
|en=It must have been 25 minutes since we left... Off in the distance, we can see Mount Fuji under an umbrella of clouds.<br />It appears so majestic, it almost looks like a sage or hermit lives on it.
}}{{MusicRoom/Cmt
|ja=富士山復興会の努力により、近年になって漸く世界遺産に認定された富士だが、ヒロシゲから見えているこの富士の方が何倍も荘厳に見える。<br />というのも、ヒロシゲのパノラマビューから見ると、高層ビルも送電線も高架線も何一つ見つけられないのも一つの理由だろう。
|en=Because of the efforts of the Mount Fuji Revival Association, it has finally been acknowledged as a World Heritage Site{{ref|2}}, but seen from the Hiroshige, it looks much more austere.<br />One of the reason is that because from the panoramic view from the Hiroshige, you never see any high buildings, power transmission lines or elevated railways.
}}{{MusicRoom/Cmt
|ja=富士どころか、左手に見える海岸だって、世界遺産に一ダースほど認定されてもまだ足りないくらい美しい。東海道はこんなにも美しいのだ。
|en=Besides Mt. Fuji, even the sea coast on the left side is so beautiful that even if it were acknowledged as a World Heritage Site a dozen of times over, it would not be enough. Such is the beauty of Tokaido{{ref|3}}.
}}{{MusicRoom/Cmt
|ja=だが、この{{ruby-ja|卯酉|ぼうゆう}}新幹線『ヒロシゲ』から見えている極めて日本的な美しい情景も、金髪の少女、メリーにとっては退屈な映像刺激でしかなかった。
|en=Though to Merry, the blonde girl, the extremely beautiful Japanesque scenery she saw while riding the Boyu Shinkansen ''Hiroshige'' was just dull visual stimulation.
}}
|}

{{MusicRoom/CD
|category=#02
|title   =53ミニッツの青い海
|titleEN =Blue Sea of 53 Minutes
}}{{MusicRoom/Cmt
|ja=:「ヒロシゲは席は広いし、早く着くし便利なんだけど――<br />　カレイドスクリーンの『偽物の』景色しか見られないのは退屈ねぇ」
|en=:"Hiroshige has large seats and runs very quickly, so it's convenient...<br />　But to me, this 'fake' scenery through the Kaleido-screen{{ref|4}} is so boring."
}}{{MusicRoom/Cmt
|ja=:「これでもトンネルに映像が流れるようになって、昔の地下鉄よりは明るくなったのよ。<br />　まるで地上みたいでしょ？」
|en=:"Maybe, but because of the pictures they display on the tunnels, it's much brighter than the subways in the past.<br />　It feels just like we're above the ground, doesn't it?"
}}{{MusicRoom/Cmt
|ja=:「地上の富士はここまで綺麗じゃないかも知れないけど、それでも本物の方が見たかったわ。<br />　これなら旧東海道新幹線の方が良かったなぁ」
|en=:"The Mt. Fuji above ground might not be this beautiful, but I wanted to see the genuine one.<br />　I wish we could have taken the old Tokaido Shinkansen{{ref|5}}."
}}{{MusicRoom/Cmt
|ja=
:「何を贅沢言ってるのよ。旧東海道なんて、もう東北人とインド人とセレブくらいしか利用していないわよ。<br />　ま、メリーは東北人並にのんびりしているかも知れないけどね」
|en=:"Don't talk like a spoiled kid. Nowadays, the only people who ride that are Tōhoku people, Indians and celebrities.<br />　You might be as carefree as the Tōhoku people though."
}}{{MusicRoom/Cmt
|ja=:「セレブですわ」
|en=:"I'm a celebrity."
}}{{MusicRoom/Cmt
|ja=:――卯酉東海道が出来たのは、二人が生まれる前の事である。
|en=:...The Boyu Tokaido had been in operation since before they were born.
}}{{MusicRoom/Cmt
|ja=神亀の遷都が行われてから、大量の人間が東京と京都を行き来する必要が生まれた。旧東海道だけではすぐに交通インフラに限界が来て、政府は急ピッチに新しい新幹線の開発に取りかかったのだ。
|en=After the relocation of the capital in the Jinki era{{ref|8}}, many people were faced with the necessity of coming and going between Tokyo and Kyoto. Suddenly the former Tokaido Shinkansen alone wasn't enough, so, in a pinch, the government started developing a new Shinkansen as soon as they could.
}}{{MusicRoom/Cmt
|ja=そして完成したのが、京都―東京間を53分で繋ぐ卯酉新幹線『ヒロシゲ』である。この新幹線は、京都―東京を通勤圏内にし、あっという間に日本の大動脈となった。
|en=And the result was the creation of the Boyu Shinkansen ''Hiroshige''. It runs between Kyoto and Tokyo in 53 minutes. This Shinkansen enabled the commuters to come and go between Kyoto and Tokyo, and it instantly became the main traffic artery of Japan.
}}{{MusicRoom/Cmt
|ja=驚くべき事に、卯酉新幹線の全てが地下に、そして直線的に作られている。始点から終点まで、空も海も、山も森も、太陽も月も、何も見ることは出来ないのだ。
|en=The surprising thing is that the Shinkansen runs entirely underground in a straight line. From the departing station to the terminal, you cannot see sky, sea, mountain, forest, Sun nor Moon.}}
|}

{{MusicRoom/CD
|category=#03
|title   =竹取飛翔　～ Lunatic Princess
|titleEN =Bamboo Cutter Flight ~ Lunatic Princess
}}{{MusicRoom/Cmt
|ja=:「あっという間に着くのは良いけど、こんな偽物の景色を見てるだけじゃ蓮子は退屈じゃないの？<br />　夜は夜で空に浮かぶのは偽物の満月、ってのもなんかねぇ。<br />　東海道も昔は53も宿場町があったというのに、今は53分で着いちゃうのよ？　昔よりも道のりも長いのに、<br />　こうなっちゃうと、もう旅とは呼べないわよねぇ」
|en=:"It's nice to arrive in a flash, but aren't you bored with this fake scenery, Renko?<br />　They even show a fake full moon during the nights when the real one is out.<br />　The past Tokaido had 53 stations{{ref|9}}, while now, it only takes 53 minutes in spite of the increase in the distance from then.<br />　It's impossible to call it a journey anymore."
}}{{MusicRoom/Cmt
|ja=:「道中が短くなっただけで、旅行は旅行よ。東京観光巡りは面白いわよ？<br />　京都と違って新宿とか渋谷とかには歴史を感じる建物も多いしね。<br />　そういう観光の時間が増えたと思えば良いじゃない」
|en=:"Though the travelling times has become shorter, a journey is still a journey. Sightseeing in Tokyo will be so much fun.<br />　Unlike Kyoto, there are plenty of historical buildings in places like Shinjuku and Shibuya.<br />　I thought it'd be better to spend less time travelling so we could sight-see more."
}}{{MusicRoom/Cmt
|ja=:「はいはい、そうですね。<br />　あーあ、偽物の満月には、太古の兎が薬を{{ruby-ja|搗|つ}}いている姿が見えるのかなぁ」
|en=:"Yes, yes. You're right.<br />　Ooooh, I wonder if we can see the ancient rabbits making medicine on the fake full moon?{{ref|10}}"
}}{{MusicRoom/Cmt
|ja=:「そうそう、こんな話知ってる？<br />　実は、ヒロシゲは最高速を出せば53分も掛からないらしいんだけど、わざわざ 53分になる様に調整したらしいよ？」
|en=:"Oh, right. Have you heard this story?<br />　The fact of the matter is the Hiroshige could make the trip less than 53 minutes if it went at its maximum speed, but they purposefully adjusted it to arrive at 53 minutes sharp."
}}{{MusicRoom/Cmt
|ja=:「一分一泊ね。その調子なら三週間で老衰だわ。短い{{ruby-ja|旅|・}}ねぇ」
|en=:"One minute per station. At that pace, I'd go senile in three weeks. What a short ''journey'' that would be..."
}}{{MusicRoom/Cmt
|ja=宇佐見蓮子とマエリベリー・ハーン（メリー）の二人は、大学の休みを利用して、蓮子の実家である東京へ旅行する事になった。<br />旅行と言っても蓮子の彼岸参りに便乗するだけだが、まだ東京に行った事が無いメリーは、今回の東京旅行を非常に楽しみにしていた。
|en=[[Renko Usami]] and [[Maribel Hearn]] (Merry) decided to take a trip to Tokyo where Renko's parents live during their university's vacation.<br />It was more of an excuse to follow Renko on her trip for Higan{{ref|11}}, still she was looking forward to this trip so much because she had never been to Tokyo.
}}
{{MusicRoom/Cmt
|ja=道中の景色も楽しみだったのだが、あいにく卯酉新幹線は全線完全地下の新幹線である。
|en=She was also looking forward to the scenery on the way to Tokyo, but unfortunately, all of the trains on the Boyu Tokaido run under ground.
}}{{MusicRoom/Cmt
|ja=それでも、昼間の外と同じくらいの光が窓から射し、そして外には美しい富士と太平洋が映し出されていた。
|en=In spite of it, the train presented them the sunlight from the windows like that above ground during the day and displayed the beautiful scenes of Mt. Fuji and the Pacific Ocean.
}}{{MusicRoom/Cmt
|ja=それが、卯酉東海道最大の{{ruby-ja|売り|・・}}と予算を使った装置『<b>カレイドスクリーン</b>』だった。
|en=That's the ultimate feature of Boyu Tokaido that cost a fortune, the device called the <b>Kaleido-screen</b>.}}
|}

{{MusicRoom/CD
|category=#04
|title   =彼岸帰航　～ Riverside View
|titleEN =Higan Retour ~ Riverside View
}}{{MusicRoom/Cmt
|ja=:「メリー、<br />　東京のお彼岸には変わった風習があるのよ。知ってた？」
|en=:"Merry, did you know that the Higan ceremonies in Tokyo has some strange manners and customs?"
}}{{MusicRoom/Cmt
|ja=:「ええ？　どういうの？」
|en=:"Huh? How?"
}}{{MusicRoom/Cmt
|ja=
:「お墓参りと一緒にね。<br />　お墓の周りの結界のほつれを見つけて、冥界参りもするのよ。<br />　お盆が冥界からご先祖様が帰ってくるでしょう？<br />　だからお返しに彼岸には、こっちから挨拶に行くの」
|en=:"There's not only visiting your family's grave,<br />　but finding gaps in the area around the graveyard and visiting the Netherworld, too.<br />　You know how ancestors come back from the Netherworld during the Bon Festival, right?<br />　During Higan, you go to them to return the favor.
}}{{MusicRoom/Cmt
|ja=
:「そうなの？
:あらいやだ、何の準備もしていないわよ。何で言ってくれなかったのよ」
|en=:"Is that true?<br />　Oh my! I'm not ready at all. Why did you keep it a secret?"
}}{{MusicRoom/Cmt
|ja=
:「嘘だからよ。<br />　でも、折角だから、するよ？」
|en=:"Because it was a lie.<br />　Still, let's go anyway, since we've come all this way."
}}{{MusicRoom/Cmt
|ja=卯酉東海道は、最も効率よく東京の人間を京都に運ぶ為だけに作られた。<br />だから、駅は二つしか作られていない。
|en=The Boyu Tokaido was made for the sole purpose of rapidly moving people between Tokyo and Kyoto.<br />That is why there are only two stations.
}}
{{MusicRoom/Cmt
|ja=卯東京（ぼうとうきょう）駅と酉京都駅（ゆうきょうと）駅の二箇所だけである。<br />つまり、始点と終点以外は駅が無い。<br />二人が酉京都駅を出発して、すでに36分ほど経っている。
|en=They're called ''Bo-Tokyo Station'' and ''Yu-Kyoto Station''{{ref|12}}.<br />In other words, there're no other stops except the first and the last one.<br />36 minutes have already passed since they left Yu-Kyoto Station.
}}{{MusicRoom/Cmt
|ja=外の景色は、歌川広重が見て歩いただろう東海道、その物だった。<br />どこまでもどこまでも美しい。空と海と、富士の山。五十三の宿場町。
|en=The scenery outside was likely the same as what Utagawa Hiroshige enjoyed.<br />The beauty was beyond words. The sky, the sea, Mt. Fuji and the 53 stations.}}
|}

{{MusicRoom/CD
|category=#05
|title   =青木ヶ原の伝説
|titleEN =Legend of Aokigahara
|subtitle=Forbidden Forest {{ref|13}}
}}{{MusicRoom/Cmt
|ja=:「あ、今……」
|en=:"Ah, I..."
}}{{MusicRoom/Cmt
|ja=:「どうしたの？　メリー、急に怖い顔をして……」
|en=:"What's the matter, Merry? You look scary all of a sudden."
}}{{MusicRoom/Cmt
|ja=:「急に頭が重くなった気がしたの。<br />　蓮子は感じない？　ここら辺の空間は少し他と感じが違うわよ。<br />　それに結界の裂け目も見える……スクリーン制御プログラムのバグかしら」
|en=:"I suddenly felt kinda sick.<br />　Don't you feel it, Renko? The space we're now is a bit different from normal.<br />　Also, I can see a gap in the border... Maybe it's a bug in the screen-controlling program?"
}}{{MusicRoom/Cmt
|ja=:「ああ、それはきっとここが霊峰の下だからよ。<br />　少しは空気も違う、いや時空すらも異なるかも知れないわね。<br />　過敏なメリーにはちょっと緊張が走るかも知れないわ」
|en=:"Ah, perhaps we're under the sacred mountain.<br />　The atmosphere is a little different... No, wait, it might even be the dimension that's different.<br />　You're such a worry-wart that it's making you overly nervous."
}}{{MusicRoom/Cmt
|ja=:「なるほど、富士山の地下ね。<br />　なら判らないでもないわ。昔から富士の地下には冥界の入り口があるって言うもんね。<br />　でも、富士山って火山でしょう？　そんな地下にトンネルなんて掘って大丈夫なのかなぁ」
|en=:"Oh, I see, so we're under Mt. Fuji.<br />　But I do know about Mt. Fuji. It's been said there's an entrance to the Netherworld underneath it since ancient times.<br />　But it's a volcano, isn't it? I wonder if it was safe to build a tunnel here."
}}{{MusicRoom/Cmt
|ja=:「心配性ね。そういう時はお酒でも飲んで考えるのをやめましょう？<br />　富士が世界遺産に認定された時に、休火山から死火山になったと断定されたでしょう？」
|en=:"Stop worrying so much. Just have a drink and stop being so pessimistic.<br />　When Mt. Fuji was recognized as a World Heritage Site, they designated it as an extinct volcano, so it's no longer merely dormant. Remember?"
}}{{MusicRoom/Cmt
|ja=とにかく東京と京都を結ぶ事だけを考えて設計した卯酉東海道だったが、政府は霊峰富士の真下に穴を開けるという、畏れ多き事態だけは避けた。
|en=The Boyu Tokaido was designed just to connect Tokyo and Kyoto, but the government had to do quite a bit to assuage fears and concerns of tunneling under Mt. Fuji.
}}{{MusicRoom/Cmt
|ja=卯酉東海道は、富士を避け、樹海の地下を走っている。
|en=It makes a detour underneath of a sea of trees instead.
}}{{MusicRoom/Cmt
|ja=ただ、樹海には古くから良くない言い伝えが多く、樹海の真下を走るというだけで新幹線の運行や乗客数に影響が出てしまうかも知れない。
|en=But there are a lot of bad legends about the woods surrounding Mt. Fuji, so it may have affected the operation and number of passengers that would ride it.
}}{{MusicRoom/Cmt
|ja=そう考え、樹海の真下を走っているという事は一般には明かされなかった。
|en=With that mindset, they never announced it officially.}}
|}

{{MusicRoom/CD
|category=#06          
|title   =お宇佐さまの素い幡
|titleEN =White Flag of Lord Usa
|subtitle=Most Famous Hero
}}{{MusicRoom/Cmt
|ja=:「あはは。朝からお酒が美味しいわね。<br />　そういえばこの新幹線、最初は京都と東京だけじゃなくて、鎌倉にも駅を作る予定だったらしいよ？」
|en=:"Ha ha, sake tastes pretty good in the morning.<br />　Now that I think about it, this Shinkansen was originally designed to stop at Kamakura{{ref|14}}, too."
}}{{MusicRoom/Cmt
|ja=:「蓮子は物知りねぇ」
|en=:"You seem to know everything, Renko."
}}{{MusicRoom/Cmt
|ja=:「そりゃ、物知りだもの。<br />　なんでも、三つの都を繋いで名前も繋都（けいと）新幹線にしたかったんだって」
|en=:"Because I do, you know.<br />　I heard they wanted to connect the three capitals and name it the ''Keito Shinkansen''."
}}{{MusicRoom/Cmt
|ja=:「暖かそうな新幹線ね。って、鎌倉は都じゃないでしょ？<br />　それに鎌倉って、京都と東京の間にしては東京寄り過ぎじゃないの」
|en=:"That seems like it would have been warm{{ref|15}}. Wait, Kamakura isn't a capital, is it?<br />　And Kamakura is too close to Tokyo to be a stop between Kyoto and Tokyo."
}}{{MusicRoom/Cmt
|ja=:「ま、そういう理由でお蔵入りになったらしいんだけどね」
|en=:"That's why it was ''okura-iri'' (suspended)."
}}{{MusicRoom/Cmt
|ja=:「そんなこと、最初から判りそうなものなのに……。<br />　蓮子は誰かに嘘情報吹き込まれたんじゃないの？　八幡様が好きな誰かに」
|en=:"Shouldn't they have realized it from the beginning?<br />　Have you been fooled by some Hachiman-sama lover {{ref|16}}?"
}}{{MusicRoom/Cmt
|ja=:「そういえば、『お蔵入り』の蔵って、何の蔵なのか知ってる？」
|en=:"By the way, do you know what kind of ''okura'' they mean in the phrase ''okura-iri''{{ref|17}}?" 
}}{{MusicRoom/Cmt
|ja=富士と言えば北斎の『富嶽三十六景』が有名であるが、北斎は富士を幾ら描こうとも満足することはなかった。富嶽三十六景は実際には四十六枚ある事からも判る。
|en=Speaking of Fuji, the ''Thirty-six Views of Mount Fuji'' Katsushika Hokusai{{ref|18}} created is well-known, yet he was not satisfied with any of the pictures of Mt. Fuji he drew. You can tell this because he actually drew ''forty-six'' pictures{{ref|19}}.
}}{{MusicRoom/Cmt
|ja=自分の半分くらいの年齢しか無い、若い広重が『東海道五十三次』を出版し、それが人気を博すと、過去に三十六景を出したというのに、負けじと北斎は『富嶽百景』を出版した。<br />その位、富士に魅入られていたのだ。
|en=After that, a young Utagawa Hiroshige, who was only half his age, published ''The Fifty-three Stations of the Tokaido'' which became more popular. Undaunted, Hokusai also published his ''Hundred Views of Mount Fuji'' despite the thirty-six edition he released earlier.<br />That is how obsessed he was with Mt. Fuji.
}}{{MusicRoom/Cmt
|ja=しかし、広重もまた、富士に魅入られた者だった。
|en=However, Hiroshige was also rather fascinated with it.}}
|}

{{MusicRoom/CD
|category=#07          
|title   =月まで届け、不死の煙 <!-- ZUN omits the comma in the booklet -->
|titleEN =Reach for the Moon, Immortal Smoke
|subtitle=Elixir of Life
}}{{MusicRoom/Cmt
|ja=何にしても現代の日本は広重を選んだのだ。<br />卯酉新幹線ヒロシゲは、地下を東に走り続ける。今はちょうど鎌倉辺りだろうか。
|en=In the end, the Japanese now have chosen Utagawa Hiroshige.<br />The Boyu Shinkansen Hiroshige continues to run for eastward. It is likely around Kamakura by now.
}}{{MusicRoom/Cmt
|ja=:「ねぇ蓮子。トンネルスクリーンに映ってる富士山って、ちょっとダイナミック過ぎないかしら？」
|en=:"Renko, the Mt. Fuji displayed in the walls of the tunnel is a bit too dynamic, isn't it?"
}}{{MusicRoom/Cmt
|ja=:「うーん。余りまじまじと実物を見た事がないから何とも言えないけど、こんな感じだと思うわよ？<br />　きっと、周りに人工物が殆ど映っていないと、こんな感じに見えるんじゃないかな」
|en=:"Hmmm... I can't say for sure since I've never really had a close look at the real one, but I think they're about the same.<br />　If the real one didn't have any man-made objects around it, I believe it would look something like this."
}}{{MusicRoom/Cmt
|ja=:「この富士は、広重と言うよりは北斎かなぁ。<br />　スケールだって、オートマチックビデオリターゲッティングの処理された様な感じがするわ。<br />　リアリティよりインパクトを重視した様な気がする」
|en=:"To me, this Fuji looks more like the one Hokusai drew than that of Hiroshige.<br />　Its scale is also a process of automatic video re-targeting.<br />　I get the feeling it's more going for impact than realism."
}}{{MusicRoom/Cmt
|ja=:「メリー、広重も北斎に対抗して、富士の三十六景を描いていたってのは知っている？」
|en=:"Merry, do you know that Hiroshige also antagonized Hokusai by creating his own thirty-six views of Mt. Fuji?"
}}{{MusicRoom/Cmt
|ja=:「あら、パクリ？　インスパイア？」
|en=:"Oh, was it an imitation or an inspiration?"
}}{{MusicRoom/Cmt
|ja=:「その名も、『富士（不二）三十六景』というの。しかも北斎の没後に出版したのよ」
|en=:"Even the name was almost the same, only differing in the kanji, ''Thirty-six Views of Mt. Fuji''. It was published after Hokusai died."
}}{{MusicRoom/Cmt
|ja=:「あらあら」
|en=:"Oh, dear."
}}{{MusicRoom/Cmt
|ja=建物の少ないカレイドスクリーンの景色では、富士山は霊験あらたかで、迫力のある姿を見せていた。
|en=The scenery with few buildings through the Kaleido-screen showed the sacred and dynamic Mt. Fuji.
}}{{MusicRoom/Cmt
|ja=本物の富士山も、富士山復興会の努力により今は綺麗である。本来の富士の姿の余りの迫力に圧倒されたか、復興会の厳しい掟に嫌気がさしたか、山を登る人の姿も少なくなり、観光協会が大打撃を受けたというのは皮肉だが。
|en=The genuine Mt. Fuji became more beautiful through the efforts of the Mount Fuji Revival Association. However, due to the strict guidelines they put in place, that turned off a lot of people from climbing it, so the tourist association took a big hit. How ironic.
}}{{MusicRoom/Cmt
|ja=日本が広重を選択したのは北斎の奇才を認める事が出来なかったからである。日本は狂気を徹底的に嫌ったのだ。
|en=The reason the Japanese have chosen Hiroshige is because they couldn't understand the talent of Hokusai. They hated his insanity with a passion.
}}{{MusicRoom/Cmt
|ja=だがしかし、もしこの新幹線がヒロシゲではなく、ホクサイだったとしたら、カレイドスクリーンにはどういう情景が映し出されていただろうか。
|en=But, if this Shinkansen weren't Hiroshige but Hokusai, what kind of pictures would the kaleido-screen show?
}}{{MusicRoom/Cmt
|ja=きっと、今よりも目的地に早く着く、36分間の狂気の幻想を愉しめたに違いない。
|en=The Shinkansen would definitely provide an insane illusion for 36 minutes that would take you to your destination faster than the current one.}}
|}

{{MusicRoom/CD
|category=#08          
|title   =レトロスペクティブ京都
|titleEN =Retrospective Kyoto
}}{{MusicRoom/Cmt
|ja=:「もうすぐ東京かしら。<br />　やっぱり物足りないわね」
|en=:"I hope we'll arrive in Tokyo soon.<br />　What a dull journey..."
}}{{MusicRoom/Cmt
|ja=:「確かにね。でも着く前に疲れなくて良いじゃない」
|en=:"You're right, still it's better not to be tired before the arrival."
}}{{MusicRoom/Cmt
|ja=:「ま、東京見物出来る時間が増えたから良いか。<br />　今日はどんなところを案内してくれるの？」
|en=:"Well, as long as we'll have more time for sightseeing of Tokyo, it's OK.<br />　Where were you going to show me around?"
}}{{MusicRoom/Cmt
|ja=:「そう焦らないの。<br />　まずは実家に着いてから彼岸の墓参りを済ませて、荷物を置いてから見学に行きましょう？」
|en=:"Don't be in such a hurry.<br />　First, I need to go home, finish the visit of my family's grave for Higan, then once we find a place for our luggage, we'll go sightseeing, OK?"
}}{{MusicRoom/Cmt
|ja=:「あれ？　冥界参りに行くんだっけ？」
|en=:"Wait. Weren't we going to visit the Netherworld?"
}}{{MusicRoom/Cmt
|ja=:「東京は、京都に負けず劣らずの霊都だから、きっと楽しいわ。<br />　メリーと一緒なら」
|en=:"Tokyo is a spiritual city just like Kyoto, so we'll be able to have a great time.<br />　Because I'm with you, Merry."
}}{{MusicRoom/Cmt
|ja=アスファルトで固められた地霊の罪も時効を迎え、東京の道のそこら中にひびが入っていた。
|en=As the sins of the spirits trapped in the earth by asphalt are fading away, there are a lot of cracks in the roads of Tokyo.
}}{{MusicRoom/Cmt
|ja=環状線も一部が草原と化し、葉っぱもなく、茎と赤い花弁だけの奇妙な花が道を覆いつつある。人口の減少と共に、自動車という前時代的な乗り物も減っていた。道がどうなろうと不便な事は無かったのだ。
|en=Even inside the perimeter of the Yamanote Line, a strange field is starting to form. Not leafy plants, but curious flowers made of nothing but stalk and petals are covering the roads. The number of the old-fashioned vehicle called the ''car'' has decreased along with the decrease in population. Even if anything major happened to the roads, it would not be an inconvenience.
}}{{MusicRoom/Cmt
|ja=派手な格好の若者達が、独自のルールを形成している事が特徴的な東京。<br />町奴や旗本奴、火消しが暴れる町の様に……。
|en=Tokyo is an unique city where flashy young people make their own rules.<br />Like the town where Machi-yakko, Hatamoto-yakko and Hiseshi{{ref|20}} run wild...
}}{{MusicRoom/Cmt
|ja=東京は昔の姿を取り戻しつつある。
|en=Tokyo is about to return to its roots.}}
|}

{{MusicRoom/CD
|category=#09          
|title   =ラクトガール　～ 少女密室
|titleEN =Locked Girl ~ Girl's Sealed Room
}}{{MusicRoom/Cmt
|ja=:「京都と違って東京は田舎だから、懐かしい物が沢山あるのよ」
|en=:"Unlike Kyoto, Tokyo is rural so there are many nostalgic things."
}}{{MusicRoom/Cmt
|ja=:「例えば？」
|en=:"For example?"
}}{{MusicRoom/Cmt
|ja=:「閉塞感ある狭くて高いビルの中で遊ぶテーマパークとか、超大型ショッピングモールとか」
|en=:"Amusement parks in tall buildings that have a feeling of confinement and massive shopping malls."
}}{{MusicRoom/Cmt
|ja=:「良いわねぇ。その洗練されていない庶民的な娯楽がまだ残っているのね」
|en=:"Those sound nice. Such unrefined entertainment still exists here."
}}{{MusicRoom/Cmt
|ja=:「その辺、京都は厳しいからねぇ。<br />　娯楽と言えば新茶道とかしかないし」
|en=:"That's because Kyoto is too uptight.
:Their idea of entertainment are things like modern tea ceremonies{{ref|21}}."
}}{{MusicRoom/Cmt
|ja=:「あら、お茶は好きよ？<br />　あの茶室の密室さ加減が」
|en=:"But I like green tea.<br />　Especially when the tearooms are secretive."
}}{{MusicRoom/Cmt
|ja=東京にはその昔、食のテーマパークが流行った時代があった。<br />全国各地から美味しいと評判の店を持ってきて、一箇所に集めただけという何とも風情の無いテーマパークだったが、それでも東京の人間には大好評だった。
|en=The food theme parks in Tokyo used to be found all over Japan.<br />With each store selling delicious flavors from all over the country all in one place, they seemed to be rather undignified theme parks. Even so, they are still very popular in Tokyo.
}}{{MusicRoom/Cmt
|ja=東京には、江戸時代の頃から、闘食会と呼ばれた死をも恐れない食の大会があった。それを考えると、現代の東京で食のテーマパークが流行るのも当然の事である。
|en=Ever since the Edo era, Tokyo has had eating competitions, where gluttons would eat as if they were unafraid of death by overeating. With that in mind, it seems obvious how present Tokyo could turn out these food theme parks.
}}{{MusicRoom/Cmt
|ja=江戸の血を確実に引く東京の街。
|en=The city Tokyo is the genuine successor of Edo.
}}{{MusicRoom/Cmt
|ja=本でしか見た事の無い、時代を超えた街、東京に近づくにつれて、メリーの気持ちがますます高揚した。
|en=As Merry had only seen it in books, the closer she came to Tokyo, the town exceeding time, the more excited she got.}}
|}

{{MusicRoom/CD
|category=#10          
|title   =千年幻想郷　～ History of the Moon
|titleEN =Gensokyo Millennium ~ History of the Moon
}}{{MusicRoom/Cmt
|ja=:「富士が小さくなっていくわ。もう東京は目の前ね」
|en=:"Mt. Fuji is getting smaller. That means we're near Tokyo."
}}{{MusicRoom/Cmt
|ja=:「蓮子の話を聞いていたら、なんだか楽しみになってきたわ。東京が」
|en=:"Listening to you talk about it, Renko, I've actually started to look forward to it: Tokyo."
}}{{MusicRoom/Cmt
|ja=:「そりゃ私の話だもの。<br />　でもね、京都に比べるとやっぱり、精神的に未熟な都市って感じは否めないわ」
|en=:"Well that's what happens when ''I'm'' the one talking.<br />　Still, I can't deny Tokyo is mentally immature to Kyoto."
}}{{MusicRoom/Cmt
|ja=:「たまには馬鹿になるのも良いじゃない」
|en=:"Isn't it fine to act silly once in a while?"
}}{{MusicRoom/Cmt
|ja=:「結界の切れ目もほったらかしだしね。<br />　千年以上も霊的研究を続けてきた京都とは大違いだから」
|en=:"They've ignored the gaps in their boundary.<br />　The study of spirits has been carried out for over one thousand years in Kyoto."
}}{{MusicRoom/Cmt
|ja=:「あ、スタッフロールよ。<br />　こんな風景まで作者の権利を主張しようとするのねぇ」
|en=:"Oh, it's the credits.
:They even try to claim credit for the scenery displayed here."
}}{{MusicRoom/Cmt
|ja=窓の外の景色に文字が浮かび上がっている。<br />53分のカレイドスクリーンの映像が、終わりを迎えようとしていた。
|en=Words were displayed on the scenery through of windows.<br />It meant the end of the 53-minute film.
}}{{MusicRoom/Cmt
|ja=本来、景色には誰の著作物である、という考え方は無い。さらに言うと、この映像は広重が見たであろう東海道を基にしているのだ。
|en=By nature, scenery doesn't belong to anybody. In addition, the imagery is based on the Tokaido that Hiroshige probably saw.
}}{{MusicRoom/Cmt
|ja=それでも、人間は自分の物だと主張する。乗客は皆、本物の景色ではないかと思って見ていた立体的な風景に、映像の制作者の名前が浮かんでは消え、消えては浮かんでいる。
|en=Even so, human beings insist that scenery is theirs. Along the scenery that all the passengers likely believed to have been actual footage, the developers' name of the three-dimensional picture continued to appear and vanish.
}}{{MusicRoom/Cmt
|ja=風景の真ん中に「{{lang|en|Designed by Utagawa Hiroshige}}」と言う文章が浮かんだのを最後に、世界は闇に閉ざされた。
|en=The world returned to darkness when the final sentence "''Designed by Utagawa Hiroshige''" appeared in the middle of the screen.}}
|}

{{MusicRoom/CD
|category=#11          
|title   =最も澄みわたる空と海
|titleEN =The Purest Sky and Sea
}}{{MusicRoom/Cmt
|ja=ハイダイナミックレンジの映像も、
<div style="padding-left:5px">極めて日本的な情景も、</div>
<div style="padding-left:10px">本物の空の色には敵わない。</div>
|en=Even the highest dynamic range images,
<div style="padding-left:5px">and the most Japanesque scenery,</div>
<div style="padding-left:10px">are not better than the true color of the sky.</div>
}}{{MusicRoom/Cmt
|ja=という前時代的な認識を持つ人間は、もはや居ないだろう。
<div style="padding-left:5px">ヴァーチャルの感覚は、リアルより人間の感覚を刺激する。</div>
<div style="padding-left:10px">夢と現は区別出来ない様に、人間と胡蝶は区別出来ない様に、</div>
<div style="padding-left:15px">ヴァーチャルとリアルは決して区別出来ない、と言うのが今の常識である。</div>
|en=Nowadays, nobody would believe something as old-fashioned as that.
<div style="padding-left:5px">Virtual sensations stimulates people more than real ones.</div>
<div style="padding-left:10px">Just as they cannot distinguish between dreams and reality, and humans from butterflies{{ref|23}}.</div>
<div style="padding-left:15px">It's common sense in these days that these two elements can never be separated.</div>
}}{{MusicRoom/Cmt
|ja=
言うまでもなく、ヴァーチャルが人間の本質なのだ。
|en=Needless to say, virtuality is the essence of human.
}}{{MusicRoom/Cmt
|ja=:身は華と与に落ちぬれども<br />　心は香と将に飛ぶ
|en=:Though my body has vanished with flowers,<br />　My spirit flies with its fragrance.
}}{{MusicRoom/Cmt
|ja=53分間の他愛の無い会話の続きを地上でする為に、二人は東京駅を後にした。
|en=They came above ground and left Bo-Tokyo Station, continuing their non-altruistic 53-minute conversation.}}
|}

==Afterwords==
{| border="1" cellpadding="5" style="border-collapse: collapse;"
| width="50%" | {{lang|ja|初めまして、みたいなＺＵＮです。}}
| Something like "Nice to meet you." I'm ZUN.
|-
| {{lang|ja|この卯酉東海道は、展開無しでオチも無しですね。秘封倶楽部の二人が普段どういう会話をしているのかを盗み聴いたという内容です。ある意味ハッピーエンド。}}
| This ''Boyu Tokaido ~ Retrospective 53 minutes'' has neither development nor ending. It's the story of someone who managed to eavesdrop on a meandering conversation between the two girls of the Sealing Club. In a way, it's a happy ending.
|-
| {{lang|ja|隣の席に座っていた人が、二人の会話を聞いて心の中で突っ込みを入れていただけですね。<br />その突っ込みがナレーションです。ほんとか？<br />二人は平均的な若者より、少しだけ頭が切れるみたいです。頭の良い女の子は格好良い。}}
| There are a few little quips the person listening to their conversation inserted mentally.<br />These quips are the narration. Really?<br />The two girls seem to be just slightly smarter than most their age. Smart girls are cool.
|-
| {{lang|ja|この話のテーマは、前回の夢違科学世紀と同じです。夢と現、ヴァーチャルとリアルのお話。<br />今のヴァーチャルをもっと頭の中で進めて想像してくださいまし。夢違より安心して聴ける（読める）CDになってる、よね？}}
| The theme of this story is same as my previous work, [[Changeability of Strange Dream]]. It's about the virtual and reality.<br />Please let the virtuality now advance a little more within your mind. You can relax while listening to (reading) this CD more than ''CoSD'', right?
|-
| {{lang|ja|良く、アニメやゲームは猟奇的な犯罪が起こる度にやり玉に挙げられます。その都度、リアルとヴァーチャルの区別を付けろ、なんてお偉いさんが言ったり、誰だって区別してるに決まってるだろ、なーんて言う訳ですが、そんなん無理です。と言うか付く筈が無い。}}
| Anime and games are always singled out whenever some bizarre crime occurs. How it usually goes is "Separate the virtual from reality." "Just who do you big shots think you are?" "Isn't it obvious?" "What kind of excuse is that?" But it's all meaningless, since that shouldn't be the case to begin with.
|-
| {{lang|ja|天才は、夢で閃くという。心は体を捨て、現実の外に飛び出す事が出来ます。そこで得た知識や経験は決して無駄ではない。ヴァーチャルとリアルの違いは、ソフトとハードの違いみたいなもんです。分けて使う事は出来ません。}}
| They say that genius comes to people in dreams. They said that the mind can abandon its body and go beyond reality. That knowledge and experience will never go to waste. The difference between the virtual and reality is like that of software and hardware. It is impossible to separate them.
|-
| {{lang|ja|だってそうでしょう？}}
| That is true, isn't it?
|-
| {{lang|ja|そうでないと、音楽では人に影響を与えない事になってしまう。<br />音楽におけるヴァーチャルとは、存在するであろう音楽を再現する事だから……。}}
| Otherwise, music would never affect anybody.<br />And it's possible to play back virtual music...
|-
| {{lang|ja|音楽活動する以上、リアルとヴァーチャルを区別するなんて言わないで、区別出来ない事を意識した上で行動したい。}}
| As long as I create music, I want to continue the activity of recognizing the impossibility of separation between the virtual and reality.
|-
| align="right" | {{lang|ja|上海アリス幻樂団　ＺＵＮ　(旅に出たい）}}
| align="right" | Team Shanghai Alice: ZUN (I want to go on a trip)
|}

==Notes==
* ''[http://kafkafuura.wordpress.com/2010/11/03/retrospective-53-minutes/ Alternate translation by kafka-fuura]''
*'''Translation Notes'''
:{{note|1}} It was named after [[wikipedia:Hiroshige|Utagawa Hiroshige]]; an artist in the 19th century.<br>
:{{note|2}} Mt.Fuji hasn't been nominated as a World Natural Heritage Site yet. It's because the government of Japan feels it as been "developed too much" or there is "too much littering", etc. Still, it fulfills the standards for nomination.<br>
:{{note|3}} [[wikipedia:Tokaido|Tokaido]] was the major road in the Edo period. Starting at Nihonbashi (日本橋), passing through 53 stations and ending at Sanjo-ohashi (三条大橋) in Kyoto.
:{{note|4}} Like ''kaleidoscope'', it shows various scenery.
:{{note|5}} [[wikipedia:Tokaido Shinkansen|Tokaido Shinkansen]] connects ''Tokyo Station'' and ''Shin-Osaka Station'', which sells the most seats among all Japanese railway companies.
:{{note|8}} Jinki (神亀) originally means a Japanese era name (724-728), and also the name of famous local sake in [[wikipedia:Saitama Prefecture|Saitama Prefecture]] (In this case, pronounced ''Shinkame''). The author loves sake so much that he used this word, I suppose.
:{{note|9}} They were called ''shukuba'' (宿場), which means ancient Japanese station for travellers and its horse. There were hotels, shops, parking for horses, etc.
:{{note|10}} Are moon rabbits making elixir of immortality instead of rice cakes? Please refer to [[Imperishable Night]].
:{{note|11}} The days for greeting one's ancestors held in two equinoxes. ''Higan'' (彼岸) literally means ''ahead of the coast'', in other words, the world after death.
:{{note|12}} ''Boyu'' (卯酉) was named after ''Bo'' (卯), meaning ''hare'', and ''Yu'' (酉), meaning ''cock''. The two words were also used to indicate direction until the Edo period; ''Bo'' equals ''east'' and ''Yu'' is ''west''. To reflect this, the station names aren't ''Higashi(East)-Tokyo'' or ''Nishi(West)-Kyoto''. Their locations are supposed to be [[wikipedia:Nihonbashi|Nihonbashi]] (Chuo Ward, Tokyo) and [[wikipedia:Higashiyama|Higashiyama-ku, Kyoto]] (Sanjo-ohashi is here). By the way, the present ''Tokyo Station'' is at [[wikipedia:Marunouchi|Marunouchi]] (Chiyoda Ward, Tokyo); ''Kyoto Station'' is at [[wikipedia:Shimogyo-ku%2C_Kyoto|Shimogyo-ku, Kyoto]]).
:{{note|13}} [[wikipedia:Aokigahara|Aokigahara]] is a forest near Mt. Fuji. Its length is about 2-3 km. It has beautiful scenery and it's a notable place for those who commit suicide. The reason Merry felt sick is likely because she felt the souls of those who had died there.
:{{note|14}} [[wikipedia:Kamakura%2C_Kanagawa|Kamakura]] was the most important ''city'' in the Kamakura era, but as Merry said later, the capital in those days was still Kyoto.
:{{note|15}} Merry thought ''Keito'' not as 繋都 (''capital-connecting'') but 毛糸 (''wool''). They're pronounced the same.
:{{note|16}} [[wikipedia:Hachiman|Hachiman]] is a god of war, having been respected so much in Kamakura.
<!-- Can't we get rid of that one? It's like saying "'keikaku' means 'plan'" -->
:{{note|17}} ''Okura-iri'' (お蔵入り) literally means ''putting into a warehouse'', though in fact, it doesn't indicate any warehouse. It came from the term of Kabuki, which is used when the stage was cancelled. Performers would feel relaxed (''raku''; 楽), and later it turned into ''kura'' (蔵).
:{{note|18}} [[wikipedia:Hokusai|Katsushika Hokusai]] is an artist in Edo period, who was 37 years older than Hiroshige.
:{{note|19}} Hokusai drew another 10 pictures of Mt.Fuji later; They're called ''Urafuji'' (裏富士) , which means ''Another Mt.Fuji''.
:{{note|20}} ''Machi-yakko'' (町奴) is a hero for ordinary people; ''Hatamoto-yakko'' (旗本奴) is Shogunate officer; '' Hikeshi'' (火消し) is firefighter. They were seen in Edo era.
:{{note|21}} Probably it means the arranged version of [[wikipedia:Japanese_tea_ceremony|tea ceremony]], but I'm not sure the details about it.
:{{note|23}} This respect came from the story ''Zhuangzi Dreamed He Was a Butterfly'' "莊周夢蝶" (Written by ''Zhuangzi'' "莊子", the philosopher in China who lived about 4th century BCE). He became a butterfly when he had a dream. Later he woke up, he is still a human, though he wasn't certain which shape is the true for him.
{{Nav|Retrospective 53 minutes|L1=Changeability of Strange Dream/Story|R1=Magical Astronomy/Story|L1l=Changeability of Strange Dream|R1l=Magical Astronomy}}
{{Navbox Print Works}}
{{Project Translations Notice}}

[[fr:Retrospective 53 minutes: Histoire]]
[[ru:Retrospective 53 minutes/Рассказ]]
[[vi:Retrospective 53 minutes/Cốt Truyện]]
[[zh:卯酉东海道/故事]]
[[Category:Official CDs]]
[[Category:ZUN's CD Stories]]