{{Lyrics
| group         =[[凋叶棕|Diao ye zong]]
| group_en      =Diao ye zong
| titlejp       =グラスホッパーズ
| titlerom      =gurasuhoppaazu
| titleen       =Grasshoppers
| length        =05:44
| arranger      =RD-Sounds
| lyricist      =RD-Sounds
| vocalist      ={{めらみぽっぷ}}
| other_staff   =
| source        =
*original title: {{lang|ja|幻想郷の二ッ岩}}
*source: {{HM}}
| eng_only      =
| untranscribed =
| unromanized   =
| untranslated  =
| album1        ={{LyricAlbum|随|RDWL-0024.jpg}}
| lang          =
| kan1          =
壁に耳在り 
障子に目在り
| kan2          =
なら　箒だってもの言うものさね
| kan3          =
見渡す限り 
あれやこれ 
皆それぞれが　口々愚痴々々具に
| kan4          =
そういやお前聞いたのか 
あの箒野郎の旦那の顛末 
やっぱりあの壺　何でもなく 
騙されたとさえ　知らぬは本人ばかり
| kan5          =
ーーー夜な夜な交わすけして聴かれぬ言葉達 
けれど　どうしてか　知っている！
| kan6          =
踊り踊らせ踊れよ　命ごと 
けして止められぬ噂の駆け巡る
| kan7          =
言葉言葉　飛交う 
真実はーーーそうさ　皆が見てる　何処かで見てる 
見張っているーーー『闇に潜む密偵の如く』
| kan8          =
七十五日経ったとしても　消えない瑕を　嗚呼
| kan9          =
ーーーあいつには気をつけろ。
| kan10         =
ーーーあいつには騙されるな。
| kan11         =
ーーーあいつが怪しい筈だ。
| kan12         =
ーーーあいつが噂の『詐欺師』か。
| kan13         =
壁に耳在り 
障子に目在り
| kan14         =
なら　手桶だってもの言っちゃどうだい
| kan15         =
さりとて見つかりゃどうなることか 
だからそっと密かに 
桑原始終散子守歌
| kan16         =
そういやお前聞いたのか 
あの桶野郎の親父の顛末 
首無し馬の餌食とか 
もう今となっちゃ　闇から闇への真実
| kan17         =
ーーー夜な夜な交わす　けして伝わらぬ言葉達 
けれど　誰かに　届いて行く！
| kan18         =
歌え謳え訴えよ　命ごと 
その口に立てる端から戸が喋る
| kan19         =
言葉言葉　飛交う 
真実はーーーそうさ　皆聞いてる　耳を欹て 
狙っているーーー『混沌に惑わす伏兵の如く』
| kan20         =
狐につままれたのか 
狸に化かされたのか 
言葉だけが聞こえる 
そうして伝わっていく　嗚呼
| kan21         =
小さな小さな声が 
しかして響く大きく 
そうして皆「どういうわけだか」知っている！
| kan22         =
さあ　騒ぎ騒がせ騒げよ　命ごと 
屋根の月　その井戸端に花咲かせ
| kan23         =
言葉言葉　飛交う 
真実はーーーそうさ　今尚見てる　何時でも見てる 
それこそがーーー『監視社会に蔓延する情報の如く』
| kan24         =
七十五日経ったとしても　新たな瑕を　嗚呼

| rom1          =
kabe ni mimi ari
shouji ni me ari
| rom2          =
nara houki datte monoiu mono sane
| rom3          =
miwatasu kagiri
are ya kore
min’na sorezore ga kuchiguchi guchiguchi tsubusa ni
| rom4          =
souiya omae kiita no ka
ano houkiyarou no dan’na no ten’matsu
yappari ano tsubo nan’demo naku
damasareta to sae shiranu wa hon’nin’ bakari
| rom5          =
-yonayona kawasu keshite kikarenu kotoba-tachi
keredo doushite ka shitteiru!
| rom6          =
odori odorase odoreyo inochigoto
keshite yomerarenu uwasa no kakemeguru
| rom7          =
kotoba kotoba tobikau
shin’jitsu wa – sousa min’na ga miteiru dokoka de miteiru
mihatteiru – “grasshopper”
| rom8          =
shichijuugonichi tatta toshitemo kienai kizu wo aa
| rom9          =
-aitsu ni ki wo tsukero.
| rom10         =
-aitsu ni damasareru na.
| rom11         =
-aitsu ga ayashii hazu da.
| rom12         =
-aitsu ga uwasa no “tanuki yarou” ka
| rom13         =
kabe ni mimi ari
shouji ni me ari
| rom14         =
nara teoke datte monoiccha dou dai
| rom15         =
saritote mitsukarya dou naru koto ka
dakara sotto hisoka ni
kuwabara barabara lullaby
| rom16         =
souiya omae kiita no ka
ano okeyarou no oyaji no ten’matsu
kubinashi uma no ejiki toka
mou ima to naccha yami kara yami e no shin’jitsu
| rom17         =
-yonayona kawasu keshite tsutawaranu kotoba-tachi
keredo dareka ni todoiteiku!
| rom18         =
utae utae uttaeyo inochigoto
sono kuchi ni tateru hashi kara to ga shaberu
| rom19         =
kotoba kotoba tobikau
shin’jitsu wa – sousa min’na kiiteru mimi wo sobadate
neratteiru – “grasshopper”
| rom20         =
kitsune ni tsumamareta no ka
tanuki ni bakasareta no ka
kotoba dake ga kikoeru
soushite tsutawatteiku aa
| rom21         =
chiisa na chiisa na koe ga
shikashite kibiku ookiku
soushite min’na ‘dou iu wake daka’ shitteiru!
| rom22         =
saa sawagi sawagase sawage yo inochigoto
yane no tsuki sono idobata ni hana sakase
| rom23         =
kotoba kotoba toikau
shin’jitsu wa – sousa imanao miteru itsudemo miteru
sorekoso ga – “grasshopper”
| rom24         =
shichijuugonichi tatta to shitemo aratana kizu wo aa

| eng1          =
The walls have ears.
The doors have eyes.
| eng2          =
If so… I suppose even brooms can talk.
| eng3          =
As far as the eye can see,
Saying this and that,
Everyone goes into detail about all their complaints.
| eng4          =
By the way, did you hear
About what happened to that broom’s master…?
Of course that vase was nothing special.
You could even say they were tricked, though they were the only one in the dark.
| eng5          =
…Night by night, words that can never be heard are exchanged.
But somehow… we notice them!
| eng6          =
Dance, dance, dance, o sparks of life!
Unstoppable rumours rush around.
| eng7          =
Words and phrases swarm about
And the truth is… that’s right! Everyone’s watching, watching from somewhere.
The grasshoppers stand guard. <ref name="one" />
| eng8          =
They’ll expose trauma that hasn’t vanished even after 75 days… Ah!
| eng9          =
…Be careful around them.
| eng10         =
…Don’t be fooled by them
| eng11         =
…They must be suspicious!
| eng12         =
…Are they those tanuki from all the rumours? <ref name="two" />
| eng13         =
The walls have ears.
The doors have eyes.
| eng14         =
If so… how about if the buckets speak?
| eng15         =
Having said that, what will happen if you’re found out?
So keep things quiet, keep things secret
And keep spreading your protective lullaby. <ref name="three" />
| eng16         =
By the way, did you hear
About what happened to that bucket’s boss?
They were prey for the headless horse or something
But by now the truth has been consigned to oblivion
| eng17         =
…Night by night, words that must never be circulated are exchanged.
But we’re going to deliver them to someone!
| eng18         =
Sing, celebrate, and call out, o sparks of life!
The doors speak from the moment words enter their mouths. <ref name="four" />
| eng19         =
Words and phrases swarm together
And the truth is… That’s right! Everyone’s listening and straining their ears.
The grasshoppers’ sights are set. <ref name="five" />
| eng20         =
Were you bewitched by a kitsune?
Were you enchanted by a tanuki?
Words are all that can be heard
And so, they spread. Ah…
| eng21         =
Thus, a small, small voice
Echoes and grows louder
And then everyone, ‘somehow,’ knows!
| eng22         =
Now, clamour, rustle, and make merry, o sparks of life!
Beneath the rooftop moon, give life to idle gossip. <ref name="six" />
| eng23         =
Words and phrases swarm together
And the truth is… That’s right! They’re still watching, always watching.
They themselves are grasshoppers. <ref name="seven" />
| eng24         =
They’ll expose new trauma, even after 75 days… Ah!

| lyrics_source =[https://releska.wordpress.com/2017/05/14/grasshoppers/ Translation] by [https://releska.wordpress.com/ Releska]
| notes         =
== Notes ==
{{Reflist|refs=
<ref name="one">{{lang|ja|闇に潜む密偵の如く}} (‘just like spies lurking in the darkness’) is written, but ‘grasshoppers’ is sung.</ref>

<ref name="two">{{lang|ja|詐欺師}} (‘swindlers’) is written, but {{lang|ja|狸野郎}} (tanuki-yarou – ‘those tanuki’) is sung.</ref>

<ref name="three">The bundle of kanji that make up this line ({{lang|ja|桑原始終散子守歌}}) do not appear to form a cohesive word, but instead can be split up to form 4 separate parts: {{lang|ja|桑原}} (mulberry/a chant used to prevent bad things from happening), {{lang|ja|始終}} (continuously), {{lang|ja|散}} (scatter), {{lang|ja|子守歌}} (lullaby). This informs the loose English interpretation of the line.</ref>

<ref name="four">This line is linked to the proverb {{lang|ja|人の口に戸は立てられぬ}}, which literally means ‘no doors can stop people’s mouths.’</ref>

<ref name="five">{{lang|ja|混沌に惑わす伏兵の如く}} (‘just like soldiers, chaotic bewilders lying in wait’) is written, but ‘grasshoppers’ is sung.</ref>

<ref name="six">This line is linked to {{lang|ja|井戸端会議}} (idobata kaigi), used to refer to the gossip that took place among women as they washed clothes or drew water by a village’s well.</ref>

<ref name="seven">{{lang|ja|監視社会に蔓延する情報の如く}} (‘just like news infesting the surveillance society’) is written, but ‘grasshoppers’ is sung.</ref>
}}
| extra_info    =[https://releska.wordpress.com/ Translator] note: There are three instances where RD replaces whole sentences with the word ‘grasshoppers.’ I tried blending both the written and spoken parts, but the end result was a bit too long, so I left the written sections as translation notes.
}}